Tag: sca

Shining a Light

Someone asked recently about what is expected for receiving a award of high merit in the arts (e.g. OVO). I didn’t weigh in at the time as it was in an inter-kingdom context and answers were therefore widely varying, but I do have some thoughts based on my own personal experience.

For the most part, there are three kingdom level arts awards in Meridies. When evaluating whether to recommend someone for them, I consider both the personal prowess of the individual and their engagement and impact on the kingdom as a whole.

First, the Meridian Cross. This is given for promise in the arts and sciences. It is purely concerned with personal prowess and recognizes potential for further growth. This award will likely be given as a result of recommendations from people in your local area. Imagine that it is a spark that can be seen in the darkness.

Next is the Velvet Owl. The potential recognized by the Meridian Cross has been realized, and the candidate has continued to improve their research and execution. They are consistent and diligent. This is the point where a candidate should be influencing others: they should be teaching both in their local area and elsewhere in the kingdom. They may be helping organize guilds or holding the A&S office in their local group. They should be making connections within the A&S community throughout the kingdom. The OVO is a polling order, and they can only vote on people that they have the opportunity to know. Imagine that they are a lamp that is not only visible, but illuminates the area around them.

Finally there is the Laurel. Prowess and teaching are expected at this point. The candidate should be known as an expert in their field both by other experts and those who seek to learn. They should exhibit good judgment in their evaluation of candidates for the OVO and have a broad network of connections throughout the kingdom and possibly beyond. They should have a grasp of the workings of the Kingdom at large, for the arts do not happen in a vacuum. They should be aware of the effects they have on others and strive to raise up those around them. Imagine now that they are a torch that not only sheds light, but lights candles around them.

If it sounds like the OVO and Laurel require a lot of effort, that’s because they do. They require more than simply making art, because the Kingdom needs more than just artists. It needs teachers. It needs leaders. It needs people who use their art to enrich others and make a Society out of a group of individuals. Not everyone will want to do this much work, especially when much of that work actually takes time away from making one’s own art. Work requires sacrifice, and that sacrifice is, in part, what these awards recognize. Personally, I take as much joy in teaching and in making connections between artisans as I do in actually making art. Not everyone does, and that does not make them bad people. I enjoy fighting, but I will never put in the time and make the sacrifices required to become a Knight. This stings a little, but I know that it is because of my own choices and I accept it.

Obviously, these are my own opinions, and I realize that not every individual follows the same path or shares the same views. I hope, however, that this may provide some useful perspective.

Politics

So it is not uncommon for people to say “I hate politics” or “I avoid politics”. I have been one of those people, and I certainly understand the distaste that others have. For the purposes of this discussion I will refer to this definition of “politics”: “competition between competing interest groups or individuals for power and leadership”. This definition highlights the fact that politics is inherently about conflict, and most people want to avoid conflict if they can. However, conflict can’t be avoided forever if you want to be an integral and active member of the group involved. Inevitably there will come a point where some issue is important enough to you that you must face the conflict and try to resolve it. The skills and techniques used to manage these interpersonal conflicts are like any other skill. They must be learned and practiced. It’s all well and good to say “I hate swimming”, but when the river rises you’ll be better off if you know how to swim.

Much of the aversion to politics I think comes from bad experiences with people who make use of those skills in a way that negatively affects some portion of the group. Politics is a tool, and like any tool it can also be a weapon. Conflicts can be resolved in a way that brings the most good to the most people (even if they are not all completely happy), or they can be resolved in a way that benefits one side to the detriment of the other. The former path is harder, but ultimately provides the greatest benefit to the group as a whole.

Even if you don’t think you are “important” enough to be one of the people who would be mediating conflicts, it behooves you to pay attention and think about how those people who are go about it. When the time comes that you see the river rising, it’s good to have a plan for what to do when it gets to you.

What is the Laurel?

This was originally posted in 2009, shortly after my elevation, in response to a discussion about “peer like qualitites”.

I knew I wanted to be a Laurel early on in my SCA career. The barony I started playing in had a large concentration of Laurels, and I wanted to be like them. I didn’t know exactly why, except that they did lots of cool stuff, but I knew that was the path I wanted to be on. Did I know where it led at that point? Not really.

So I became an apprentice, and took the green belt that was the outward sign of my ambition. Over the years I pursued the various arts that appealed to me, and in time began to teach them to others. For a long time I was in that contradictory state where, if asked, I would say that the Laurel wasn’t my goal, while the sash around my waist said the opposite. It wasn’t until later that I came to understand why that wasn’t entirely contradictory, and I found my own understanding of what it meant to me.

What is the Laurel?

After many years, I got to the place that many have reported finding themselves, namely the land of What If I Never Become A Laurel? It’s not a fun place, but it’s a good place to do some thinking. I started trying to figure out what exactly I was missing out on, besides jewelry and meetings. I didn’t need the Laurel to do my art, and I didn’t even need it to teach. I couldn’t take official apprentices without it, but I could have students and encourage others to pursue their own arts. What, I wondered, was the Laurel really good for?

As far as I can tell, the Laurel is a license. What is a license? It’s a document that tells someone who does not know you personally that some accredited group has deemed you fit to perform some task. A driver’s license says that you have passed the driving test and are at least minimally competent to safely operate a vehicle. A medical or law license says that you have completed the necessary training to work in those professions. The Laurel is like a teaching license, in that it declares that you are able to competently perform and teach the arts and sciences that we do in the SCA.

Is a license an award? Sort of. A doctor receives his diploma in a ceremony and hangs it on the wall of his office so you can see his credentials, just as the Laurel receives and displays his regalia. What it is not is the end of the journey. Imagine a med student graduating, getting his medical license, and then retiring! Receiving the license is the end of one journey, and the beginning of a career.

What is the purpose of a license?

You may have noticed my earlier emphasis on the fact that a license certifies your credentials to those who don’t know you. It’s possible to be an artisan and a teacher in the SCA without being a Laurel, and even to do so better than some who are. The only thing the Laurel will do is to give an idea of your skills to someone who has no knowledge of you, either personally or by reputation. If you tell someone “I’m a cooking Laurel”, that gives them a certain idea of your ability to cook in a period style, redact recipes, etc. It is am imprecise tool, and one that can be misused, like any tool. When used wisely and honestly, though, it helps those who are seeking knowledge and advice find it more easily.

What is the value of a license?

The value of a license is directly related to the reputation of the institution that grants it. A medical license from a third world country does not necessarily carry the same weight as one granted in a more industrialized nation. The value of the Laurel is equal to the sum of all the experiences that a particular person has had with Laurels (or perhaps Laurels from your kingdom or local group). If someone has had bad experiences with Laurels, they will place less weight on it as an accurate measure of skill and personality, and vice versa for those who have had mostly good experiences.

This is why the Laurel is a polling order. It is in their best interests to maintain a high level of quality in their membership, and therefore a high level of overall respect for the Laurel as an Order (or a brand, if you will). If they let in a bunch of jerks, then people will start to think all Laurels are jerks, and therefore that they personally are jerks.

So is it just a status symbol?

While it is a status symbol, like most status symbols it does have a useful purpose. A big SUV is a symbol of wealth, but if it is regularly used to transport large numbers of people then it is not an empty symbol. Likewise, a Laurel who is using their status to actively teach and promote the arts more widely than they might have been able to without it is making good use of it.

Chivalric Virtues: Franchise

During a recent discussion about Chivalry, I looked up a list of Chivalric Virtues. Most of them are fairly self explanatory, or at least easy enough to understand once defined. One that crops up often, yet is variously and vaguely defined, is Franchise. It is often said to encompass freedom of action, noble bearing, or exemplifying the other virtues, but what does this mean in practical terms? How can it be put into practice in a way that is useful in the real world?

It can be hard for a modern person to feel comfortable emulating the Medieval notion of Franchise, couched as it often is in terms of nobility and gentle birth. Our egalitarian conditioning shies away from this sort of thinking. But in the SCA we have titles, awards, offices, and Peerages, which are bestowed upon us in recognition of our nature and our deeds. I think that perhaps Franchise is the ability to accept and take ownership of the station to which one has been raised, gracefully and without false modesty. In this way it is the opposite of impostor syndrome, and thus lends the aforementioned “noble bearing” to one’s actions and demeanor. A sword must be gripped with conviction to strike a telling blow.

This interpretation of Franchise must, of course, be tempered by Humility, just as Prowess is tempered by Compassion, and Courage by Prudence. These are not opposing notions, but complementary to each other. Chivalry is not defined by one Virtue alone, but all of them together and in balance.

A 14th Century Tunic

So this weekend I built myself a nice simple 14th century tunic based on the Herjolfsnes 43 pattern. I made it out of the same light green linen that I used for Adela’s kirtle (though I may chuck it in a dark blue dye bath). I hate finishing seams after they’re sewn and setting gores and gussets in by machine, so I did it all by hand. I needed frequent breaks to wake my sewing hand back up, but all in all it went pretty smoothly. Next up, some wool chausses!

Toga! Toga!

I went up to visit Philippa on Saturday and help her with various bits of her Eleanora de Toledo dress. She also helped me put together a toga for this weekend’s Roman-themed May Tourney. I had bought 20 yards of $1/yd 45″ wide unbleached muslin, thinking that would be way more than I needed. It turned out that the toga took up three 5 yd. lengths of fabric, and the ankle-length tunica took up all but a single yard of the rest. Yay for overbuying! It’s pretty comfy and looks cool; we’ll see how it fares on Saturday.

Smooth Move

After all the trimming, filing, and drilling, the buttons still had some rough spots and edges, and I didn’t want to spend a million years trying to find them all and polish them. Instead, I tied the buttons up into four bunches with hemp cord, stuck them in a sock, and ran the whole thing through the dryer. They came out shiny and smooth, with all the detail on the button faces still intact. Lacking a dedicated tumbler, this seems to be the next best thing.

Also, a picture of the large buttons:

Doing The Work Up Front

I’ve been finishing a big pile of buttons, and I’ve decided that I need to make some serious design changes next time I make them.

  1. While the fabricated shanks seem to be historically plausible, they’re a giant pain to do. I think I’ll make another mold back with integral button loops. It’ll be fiddly to make, but worth it for all the finishing time it’ll save.
  2. I need to make the buttons thicker so they can have wider edges. Finishing the thin edges is annoying. Making things too thin is nothing new for me; I really need to stop it.

Buttons!

I promised to give a set of pewter buttons to the winner of the 15th century category of my Sharp Dressed Man contest, but I hadn’t ever gotten around to figuring out how to make them. I looked at some extant buttons, and it looks like many of them have flattened shanks with drilled holes rather than shanks cast as loops. This meant that I could use the same mold for integral rivet belt mounts and buttons. I made a button face mold out of a little scrap of soapstone, and gave it a shot. One of the mold cavities didn’t quite line up with the shank right, but the other one hit dead center. I mashed the shank flat with vise grips, drilled the hole, et voila!

Field Tests

I mourn for all the years I wasted not wearing wool hose. These were by far the best hose I’ve ever worn. They fit so well that I hardly ever thought about them, were only hot when I was sitting in the blazing sun, and looked great. Aside from the inevitable wrinkles at the ankles, there was no bagging or sagging anywhere, even after a long day of wear. I think I’ll cut the next pair a bit higher in the crotch, but that’s about all I can think of. I put a doubled linen facing at the waist (and accidentally in the crotch curve, but that’s another story), which made a nice sturdy place to put in the eyelets.

As for the brache, they seemed to perform well, aside from a couple of seams blowing out. I think they may be a touch small, so the next pair will get an extra couple inches in each leg. Otherwise, no complaints.

Dreamstone was a lovely event, composed primarily of hanging out with friends and occasionally dropping in for field-side classes. The weather was beautiful.