Category: Uncategorized

Ballade: On the virtue of Mercy

The strong stand tall above the weak
Like predators amidst their prey;
Free to move, to strike, to speak,
With no one there to bar the way
Or laws that bind them to obey
So what is there to stay their hand
And make them rise and choose each day
To do what’s right, not what they can?

The rich may look upon the meek
And think back to a time when they
Had not yet risen to their peak,
When they had debts and bills to pay;
Compassion leads them to allay
The burdens of their fellow man
And search their heart to find a way
To do what’s right, not what they can.

A swordsman’s prowess and technique
Can lead their enemy astray
And when the opening they seek
Presents itself at last they may
Thrust hard as though they seek to slay
Or Temperance may change their plan
To pull their blow and thus essay
To do what’s right, not what they can.

The wisest, be they young or gray
Let Mercy guide their life’s long span
And blessed though they may be still pray
To do what’s right, not what they can.

This poem was written for the 2021 Bardic War wordsmith/scribe/herald relay. The documentation can be found here. Images of the pages can be found here.

Man’s Hanbok – Beginning

Details from a 1567 painting depicting
a social gathering of Joseon aristocrats [1]
A drawing of an outfit similar to the above detail. [1]

With the research assistance of Seong Myeong Su, I am going to make an attempt at a 16th century (Joseon: 조선) Korean man’s outfit, or hanbok (한복). My goal will be clothing appropriate for daily wear for an aristocrat or official.

The items for this outfit will include the following:

  • Jeoksam (적삼) – undershirt
  • Baji (바지) – pants
  • Beoseon (버선) – socks
  • Jikryeong/jingnyeong (직령) – coat with straight collar

Sources:

  1. Bae, Jin-Hee, Eun-Joo Lee. A Study on the Costumes of the Characters of Higyongru , Annual review in cultural heritage studies v.51 no.4 , 2018, pp.44 – 65  

Seong Myeong Su Daegam provided a large amount of research and translation help with this outfit.

Virtues: Humility

When discussing virtues in the past, I have tended to gloss over Humility because it’s one of those things that seems obvious. However, I recently heard an explanation of Humility that was simple and elegant, and yet made it vastly easier to actually put this virtue into practice. Essentially, the description was “thinking of others before yourself”. It’s arguable that Humility is the most important virtue, since the entire purpose of having virtues is to promote right action within society; if you don’t think about the other members of that society you can’t even begin.

A quote from Cosimo I de Medici speaks to this:

amongst all the things relating to civil life and the good government of any prince or republic, modesty is most necessary and decorous, as it restrains human actions, and orders and moderates both the universal and public, as well as the domestic an private.

Often Humility is approached as a admonition against action: don’t talk about yourself, don’t show off. When deciding how to proceed in a given situation, however, what we need is guidance about how to act, as opposed to counsel toward inaction. If the expression of Humility is to act in a way that benefits others before oneself, it becomes a more useful guidepost.

Humility is an enabling virtue, providing a basis for Largesse, Compassion, Justice, Mercy, Loyalty, and others. It is by valuing others above the self that the value of these and the path toward them becomes clear. The root of “humility” is the Latin “humus”, meaning the earth or ground. To place oneself in the lowest place, eschewing concerns of one’s own position, enables the uplifting of others from a firm footing.

Likewise, Humility tempers — and is tempered in turn by — Franchise. As I have interpreted it in the past, Franchise is the acceptance of one’s station as being deserved, so that the power granted by that station can be effectively used. Humility is there to remind us that any power that comes from our position is to be used for the betterment of others, and not simply for further self-aggrandizement. Conversely, all of our energy must not be spent on others at the expense of ourselves, and Franchise is there to remind us of this. This seeming contradiction is yet another situation where two virtues must be held in dynamic equilibrium for greatest effectiveness.

Shield v.3

img_2311img_2312
A while ago I remade my first heater shield into a centergrip. It worked much better that way than it ever did strapped, but it has recently become battered enough that it’s time to replace it. I cut the same shape out of two layers of 1/4″ birch plywood and glued them together in the shield press with a slight curve. I cut out the hole for the center, leaving a strip through the center to use as the handle. I painted the front and back and padded the handle with foam weather stripping front and back, covered with duct tape and athletic grip tape. The edge is covered with metal-cored plastic edging from McMaster-Carr, with rawhide from Viking Leathercrafts sewn over it. As before, I filled the back with a handy list of chivalric virtues and the poem I wrote for my second shield. I also added copies of my relevant paperwork for convenience during armor inspection.

Ode to a Shield

IMG_1454A shield lives not for glory,
Like the sword of shining steel;
Upon its face the story
Of its owner is revealed.

While swords have names and pedigrees
A shield is thrown away,
Content to have the chance to be
The one that saved the day.

For though a sword may win a war
And pay its bloody cost,
The shield should be remembered for
Each war that isn’t lost.

This was written to go on the back of my shield.

Ballad: Iron in her Hand

It was upon the list field, lads,
Where I first met my wife;
She smote me down and killed me dead,
Then kissed me back to life.

My lady likes her silver rings,
And gold she thinks is grand,
But what she loves above all things
Is iron in her hand.

Our wedding day was at the war,
Our vows upon the field.
The best man had an eight foot spear,
The priest a sword and shield.

My lady likes, &c.

She sets her rivets with her thumbs,
She gave up pain for Lent;
The only time she cries is when
Her armor gets a dent.

My lady likes, &c.

She spends an hour on her face
So it won’t show its age.
It takes some rouge and elbow grease
To shine that 14 gauge.

My lady likes, &c.

To court my love I gave her flowers,
A ring when we were wed,
But mine won’t be the hand to put
The crown upon her head.

My lady likes, &c.

Enjoy the lass who’ll raise a glass,
And sing and sew and dance.
Though I like skirts, I’ll always flirt
With girls in metal pants!

My lady likes, &c.

A Happy Accident

When I was perusing the works of Thomas Wyatt, looking for poem structures to appropriate, I came across these lines:

Yet though thy chain hath me enwrapt,
Spite of thy hap, hap hath well hapt.

I had never seen the word “hap” before, and so, being a lover of etymology, I went to look it up. It turns out it means “luck”, so if you are “happy” you are lucky. It shows up in lots of other words, of course: perhaps (by way of luck), mishap (bad luck), happen (to come about by luck), hapless (without luck). A neat little nugget that I will keep my eye out for in the future.

Pennsic Mini-Recap

The weather started so-so and improved to lovely, the dancing was good, the classes informative, camp pleasant, shopping successful. I got to spend time with some old friends and make several new ones. Now it’s time to get started on the next round of looming deadlines…

Van der Weyden Kirtle: Beginning

I’ve finally started on Adela’s new clothes: a 15th century Flemish kirtle and gown suitable for fancy occasions. The kirtle is based on the ones shown in various paintings by Rogier van der Weyden, like this one:

It has short sleeves, with distinctive seam lines at the front and back of the shoulder. Some examples have another seam at the top of the shoulder as well. While in some cases it looks like it might be a raglan sleeve, you can see here a short set-in sleeve. There is also a seam line parallel to the neckline, as well as what looks like a binding at the neckline edge itself. I’ve got some theories about this that I’ll be putting into practice as this progresses.

ETA:

Here’s the pattern:

When I worked the pattern out, I put the shoulder seam in. I’m not sure if it will make any difference; I may go ahead and edit it out when I make the real thing.