The Passing of Legends

This is a sorrowful time, as we feel the loss of those who built the Society, who birthed Kingdoms, who can be said without hyperbole to be legendary. As I read the remembrances of others, I find some common threads among the tales of those giants who have walked among us.

For all that it seems that we lionize prowess, it is, in the end, the sacrifices of service that are remembered, and that have the greatest effect on the most people. They sacrifice time and energy to teach others, to lead and inspire, to be where they must be and do what they must do. They sacrifice the freedom to act as they will so that they can be examples to others.

It was said to me once by some wise people that there is a point in everyone’s journey in the Society where one transitions from experiencing the magic to making the magic happen. It can be a hard transition, and the more one sees behind the curtain the more opportunities there are for disillusionment. It is important, I think, to help others traverse this time by teaching them the love of service that makes it possible for all of us to stay and thrive.

For those who are only taking the first steps on this journey (and even those who have many steps behind them already), take note also that these legends were no different than you or I when they began. They all had faults and weaknesses, struggles and failures. There is no inherent gift that separates us, nothing that stands in the way of us following their footsteps and filling their shoes. Indeed, it falls to all of us to find the paths they blazed and become the legends that those who follow us can look up to.

I share the sadness caused by the losses of these great people, but I am heartened by the fact that we, as a Society, are a place where such people can be found, in a world where greatness is often hard to come by.

Virtues: Compassion

As I have said before, the code of Chivalry serves as a self-imposed moral check on the behavior of the powerful toward those less powerful than them. It is for this reason that Compassion is key among those virtues, for without thinking of the needs and feelings of others there is no motivation for right action.

Just as Prowess may be practiced until skills become second nature, so can Compassion. To become a better fighter, one must test oneself against difficult opponents, and for Compassion it is no different. It is easy to consider the feelings of those you are close to, but harder for those you do not know, or that you do know and do not like. Likewise it is more challenging when the acts required by Compassion demand sacrifices, be they of time, effort, resources, or pride.

Like any other virtue, perfection is unattainable, but by striving to achieve it we are all made better people.

The Purpose of Chivalry

Let us not forget that the Code of Chivalry was created to serve as a moral compass for the powerful, so that they may make the world a better place for all, and not only take what they want. The higher your station, the more you must examine your words, your actions, the ripples you create that touch so many others around you. Whether that station was earned by labor, luck, or birth, the message is the same: from those who are given much, much is expected.

Triolet: “The greatest treasure in the land”

The greatest treasure in the land
That once I had, but now I grieve,
Which slips away like flowing sand.
The greatest treasure in the land:
The fleeting warmth upon my hand
That lingers when your fingers leave.
The greatest treasure in the land
That once I had, but now I grieve.

Shining a Light

Someone asked recently about what is expected for receiving a award of high merit in the arts (e.g. OVO). I didn’t weigh in at the time as it was in an inter-kingdom context and answers were therefore widely varying, but I do have some thoughts based on my own personal experience.

For the most part, there are three kingdom level arts awards in Meridies. When evaluating whether to recommend someone for them, I consider both the personal prowess of the individual and their engagement and impact on the kingdom as a whole.

First, the Meridian Cross. This is given for promise in the arts and sciences. It is purely concerned with personal prowess and recognizes potential for further growth. This award will likely be given as a result of recommendations from people in your local area. Imagine that it is a spark that can be seen in the darkness.

Next is the Velvet Owl. The potential recognized by the Meridian Cross has been realized, and the candidate has continued to improve their research and execution. They are consistent and diligent. This is the point where a candidate should be influencing others: they should be teaching both in their local area and elsewhere in the kingdom. They may be helping organize guilds or holding the A&S office in their local group. They should be making connections within the A&S community throughout the kingdom. The OVO is a polling order, and they can only vote on people that they have the opportunity to know. Imagine that they are a lamp that is not only visible, but illuminates the area around them.

Finally there is the Laurel. Prowess and teaching are expected at this point. The candidate should be known as an expert in their field both by other experts and those who seek to learn. They should exhibit good judgment in their evaluation of candidates for the OVO and have a broad network of connections throughout the kingdom and possibly beyond. They should have a grasp of the workings of the Kingdom at large, for the arts do not happen in a vacuum. They should be aware of the effects they have on others and strive to raise up those around them. Imagine now that they are a torch that not only sheds light, but lights candles around them.

If it sounds like the OVO and Laurel require a lot of effort, that’s because they do. They require more than simply making art, because the Kingdom needs more than just artists. It needs teachers. It needs leaders. It needs people who use their art to enrich others and make a Society out of a group of individuals. Not everyone will want to do this much work, especially when much of that work actually takes time away from making one’s own art. Work requires sacrifice, and that sacrifice is, in part, what these awards recognize. Personally, I take as much joy in teaching and in making connections between artisans as I do in actually making art. Not everyone does, and that does not make them bad people. I enjoy fighting, but I will never put in the time and make the sacrifices required to become a Knight. This stings a little, but I know that it is because of my own choices and I accept it.

Obviously, these are my own opinions, and I realize that not every individual follows the same path or shares the same views. I hope, however, that this may provide some useful perspective.

Politics

So it is not uncommon for people to say “I hate politics” or “I avoid politics”. I have been one of those people, and I certainly understand the distaste that others have. For the purposes of this discussion I will refer to this definition of “politics”: “competition between competing interest groups or individuals for power and leadership”. This definition highlights the fact that politics is inherently about conflict, and most people want to avoid conflict if they can. However, conflict can’t be avoided forever if you want to be an integral and active member of the group involved. Inevitably there will come a point where some issue is important enough to you that you must face the conflict and try to resolve it. The skills and techniques used to manage these interpersonal conflicts are like any other skill. They must be learned and practiced. It’s all well and good to say “I hate swimming”, but when the river rises you’ll be better off if you know how to swim.

Much of the aversion to politics I think comes from bad experiences with people who make use of those skills in a way that negatively affects some portion of the group. Politics is a tool, and like any tool it can also be a weapon. Conflicts can be resolved in a way that brings the most good to the most people (even if they are not all completely happy), or they can be resolved in a way that benefits one side to the detriment of the other. The former path is harder, but ultimately provides the greatest benefit to the group as a whole.

Even if you don’t think you are “important” enough to be one of the people who would be mediating conflicts, it behooves you to pay attention and think about how those people who are go about it. When the time comes that you see the river rising, it’s good to have a plan for what to do when it gets to you.

What is the Laurel?

This was originally posted in 2009, shortly after my elevation, in response to a discussion about “peer like qualitites”.

I knew I wanted to be a Laurel early on in my SCA career. The barony I started playing in had a large concentration of Laurels, and I wanted to be like them. I didn’t know exactly why, except that they did lots of cool stuff, but I knew that was the path I wanted to be on. Did I know where it led at that point? Not really.

So I became an apprentice, and took the green belt that was the outward sign of my ambition. Over the years I pursued the various arts that appealed to me, and in time began to teach them to others. For a long time I was in that contradictory state where, if asked, I would say that the Laurel wasn’t my goal, while the sash around my waist said the opposite. It wasn’t until later that I came to understand why that wasn’t entirely contradictory, and I found my own understanding of what it meant to me.

What is the Laurel?

After many years, I got to the place that many have reported finding themselves, namely the land of What If I Never Become A Laurel? It’s not a fun place, but it’s a good place to do some thinking. I started trying to figure out what exactly I was missing out on, besides jewelry and meetings. I didn’t need the Laurel to do my art, and I didn’t even need it to teach. I couldn’t take official apprentices without it, but I could have students and encourage others to pursue their own arts. What, I wondered, was the Laurel really good for?

As far as I can tell, the Laurel is a license. What is a license? It’s a document that tells someone who does not know you personally that some accredited group has deemed you fit to perform some task. A driver’s license says that you have passed the driving test and are at least minimally competent to safely operate a vehicle. A medical or law license says that you have completed the necessary training to work in those professions. The Laurel is like a teaching license, in that it declares that you are able to competently perform and teach the arts and sciences that we do in the SCA.

Is a license an award? Sort of. A doctor receives his diploma in a ceremony and hangs it on the wall of his office so you can see his credentials, just as the Laurel receives and displays his regalia. What it is not is the end of the journey. Imagine a med student graduating, getting his medical license, and then retiring! Receiving the license is the end of one journey, and the beginning of a career.

What is the purpose of a license?

You may have noticed my earlier emphasis on the fact that a license certifies your credentials to those who don’t know you. It’s possible to be an artisan and a teacher in the SCA without being a Laurel, and even to do so better than some who are. The only thing the Laurel will do is to give an idea of your skills to someone who has no knowledge of you, either personally or by reputation. If you tell someone “I’m a cooking Laurel”, that gives them a certain idea of your ability to cook in a period style, redact recipes, etc. It is an imprecise tool, and one that can be misused, like any tool. When used wisely and honestly, though, it helps those who are seeking knowledge and advice find it more easily.

What is the value of a license?

The value of a license is directly related to the reputation of the institution that grants it. A medical license from a small university does not necessarily carry the same weight as one granted by an Ivy League institution. The value of the Laurel is equal to the sum of all the experiences that a particular person has had with Laurels (or perhaps Laurels from your kingdom or local group). If someone has had bad experiences with Laurels, they will place less weight on it as an accurate measure of skill and personality, and vice versa for those who have had mostly good experiences.

This is why the Laurel is a polling order. It is in their best interests to maintain a high level of quality in their membership, and therefore a high level of overall respect for the Laurel as an Order (or a brand, if you will). If they let in a bunch of jerks, then people will start to think all Laurels are jerks, and therefore that they personally are jerks.

So is it just a status symbol?

While it is a status symbol, like most status symbols it does have a useful purpose. A big SUV is a symbol of wealth, but if it is regularly used to transport large numbers of people then it is not an empty symbol. Likewise, a Laurel who is using their status to actively teach and promote the arts more widely than they might have been able to without it is making good use of it.

Shield v.3

img_2311img_2312
A while ago I remade my first heater shield into a centergrip. It worked much better that way than it ever did strapped, but it has recently become battered enough that it’s time to replace it. I cut the same shape out of two layers of 1/4″ birch plywood and glued them together in the shield press with a slight curve. I cut out the hole for the center, leaving a strip through the center to use as the handle. I painted the front and back and padded the handle with foam weather stripping front and back, covered with duct tape and athletic grip tape. The edge is covered with metal-cored plastic edging from McMaster-Carr, with rawhide from Viking Leathercrafts sewn over it. As before, I filled the back with a handy list of chivalric virtues and the poem I wrote for my second shield. I also added copies of my relevant paperwork for convenience during armor inspection.

Muffs

IMG_1843IMG_1842On the occasion of the investiture of Bjorn and Genevieve as Baron and Baroness of Iron Mountain, I decided to make a fur muff as a gift for Her Excellency. For good measure, I made a pair of matching muffs for the Queen and Princess as well. Most of the materials came from my stash, except for the beads for the buttons and the chains and the satin for the appliques. The red muff is a damask of unknown fiber content, interlined with two layers of polar fleece and lined and trimmed with fake fur. The cords are fingerlooped from cotton crochet yarn, which was also used to make the thread wrapped buttons. The applique is polyester satin glued to a paper backing and outlined in couched cord. The black and white muff is made from similar materials an in a similar fashion, except for the shell being made of velvet and the applique involving some extra chain stitch, back stitch, and beads in the center. This was not a very deeply researched project, but it was pretty satisfying for being done on relatively short notice. Stella, Serafina, Veronica, and Sefa helped with many aspects of the construction.

Lorayne Alman

Recently Her Highness Emelyne, Crown Princess of Meridies, asked me to suggest a dance to open her White Rose Ball, and I was happy to offer Lorayne Alman as an option that was simple, pretty, and (with the aid of musicians) able to go for as short or long a time as desired. As I suggested the dance, it behooves me to provide some instruction for those unfamiliar with the steps.

Lorayne Alman appears in one of the Inns of Court manuscripts from 1570, and matching music can be found in contemporary sources. Discussion of these sources can be found in Practise for Dauncinge. The steps are as follows:

Part A:

  • 4 alman doubles forward, hopping

Part B:

  • 1 alman double forward
  • 1 alman double backward
  • 1 alman double forward
  • turn to the outside
  • repeat Part B

All of the steps in this dance are doubles, which are with three steps and a pause: left, right, left, pause. A left double is done first, followed by a right double: right, left, right, pause. Left and right alternate for the duration of the dance. That said, it is generally not important (and, for ladies, not visible) if one is on the wrong foot in this dance.

While the source for this dance refers to the step simply as a “duble”, we look to Arbeau’s Orchesography (1589) for a description of how the double is done in an Alman. Arbeau describes it as “three steps and one grève or pied en l’air“, which is to say to take three steps and then raise the foot in the air on the fourth beat during the pause. It is not necessary to raise the foot quite as high as the illustration shows, though you are welcome to do so if you desire. In part A of this dance, there is also a hop on the fourth beat of the double, making the entire sequence step, step, step, hop with foot in the air.

Aside from doubles forward and back, there is a turn, which is done to the left by the men (who are standing on the left) and to the right by the ladies, so that they are turning away from each other and end facing forward once more. As far as the feet are concerned, this is simply another double that happens to go in a circle instead of a straight line.

There are two ways to determine that you are in the second part of the dance where the backward double occurs. First, you can listen to the music, which has a different melody for the A and B sections. Second, you may recall that the A section of the dance has doubles with hops at the end, while the B section has no hops. This means that if the couple in front of you just did a double with no hop, then you are about to go backwards. In any case, the music is not so fast that it is very difficult to change directions should you begin going forward instead of backward.

Music:

There is a commonly used arrangement of the music available here for musicians, and also recordings freely available for dancers to practice to: