After goofing on my first try at a new belt buckle, I decided to go back to the portraits. After looking through a bunch of images, I decided to rip off Don Carlos:
I’ve got the front of the mold carved. I need to make a back with rivets for the loop and then it’ll be time to pour some metal.
After making the loops for my new belt clasp, I went looking for options for the S-hook that were not snakes or swans. In the process, I ran across this link that pretty much blows a hole in the idea that the lion head belt terminals I found are actually 16th century. They seem to be more of the 18th century military belt clasp type. I’m going back through 16th century portraits now, and so far all I’m finding are surface-mounted terminals like I used on my old belt. I’m also less sure now about the zoomorphic decoration on the hooks for 16th century belts, but I think that will stand up in the end.
Edited to add: I managed to find a few examples that were clear enough to see what’s going on with the clasp. Surface mounted loops, as I expected, but also no clear evidence of the zoomorphic S-hook. There was more variety than I expected, and less surface decoration on the hooks, so that may be a blessing in disguise, from a casting standpoint. There seem to be both S-shaped hooks and sort of curvy M-shaped hooks as well…
I needed to make a new belt to go with the Alborghetti suit, so I found a new type of belt hardware to play with. Serafina came down today to work on some of her casting, so I cranked out a quick mold that I thought might do the trick. The extant piece I’m emulating has a lion face, with a perpendicular loop on one side for the belt hook and a wide rectangular loop on the other for the belt. Rather than make two molds for the two different belt loops, I tried to make a single mold that could be turned into either one. The owl face is from the household badge.
When I started this project, I wanted to make sure I was able to keep track of all the pattern pieces that I would be making. I labeled a gallon ziploc bag and put each piece in it as I finished with it. Sometimes I had to get the pieces out and put them back in several times, but I made sure they always went back in. At one point I wanted to go back and copy the codpiece pattern I used for the Bronzino doublet. Rather then dig through the overflowing pattern drawer (where everything was shoved willy-nilly), I took the drawer out, purged all the old patterns, and bagged up everything that I wanted to keep. The result is a much neater and more useful system:
The suit is pretty much done now. I still need to make some black stockings, maybe a new hat, a new belt, add a couple more buttons on the cuffs, and fix one of the shirt cuff toggles. It is done enough to take some pictures though, so here they are. The belt is too short, so it makes some unnecessary wrinkles at the waist. The trunk hose sit just a touch lower than I’d like, but that’s minor quibble. It’s all extremely comfortable, and I can sit with zero difficulty. All in all, I’m pleased.
The codpiece is made and installed. The main part of the codpiece is a single layer of wool with no interlining, stuffed with strips cut from a failed linen sleeve lining. The base is one layer of the heavy wool and a lining of white linen. The edge binding and racing stripe are velveteen.
I sewed the center seam on the machine, then turned t and basted it to the wool base. I sewed around the base of the stuffed portion, leaving an open section on one side to put the stuffing in. Once it was stuffed, I closed up the hole and sewed the trim on. Next came the binding in the usual manner. I did it in two pieces only because that’s what was demanded by the length of scraps I had on hand. At this point I sewed five pairs of hooks and eyes (alternating) on the center front opening of the trunk hose. The point of the codpiece was sewn in at the bottom of the opening; each side was only sewn on for about 2″. Eyelets in the codpiece and trunk hose finished the process.
The trunk hose are nearly complete now. All that remains is binding one of the canions, adding hooks and eyes at the center front opening, and building the codpiece.
As promised, here’s the step-by-step for installing the pocket. To refresh your memory on what the pocket is supposed to look like, you can refer back to the portrait.
First we start off with the interlining for the “poof”. I cut it from the last of the wool that I’ve used for years and years for this sort of thing. It provides body and springiness and I’ll miss it terribly. There wasn’t enough of it left by this point to get the whole thing out of one piece. Instead of trying to piece in scraps of the same stuff (which would make really bulky seams) I finished the ends off with some cotton I’ve been using for patterning. Conveniently enough, this will help reduce bulk at the inner leg, which is always a good thing in these situations. The poof was patterned based on the trunk hose pattern, with the pieces spread apart. I eyeballed a lot of lengths and had to make a few changes along the way, but it seems to have turned out okay.
I’ve made some progress on various bits, but the age old dilemma of the black suit means that the details are hard to make out.
One side of the trunk hose "poof" is in the process of being attached. You can't really see it, but the pocket was installed before attaching the poof to the foundation. There will be an entire post on the pocket later.
The buttons from my old black suit have been moved to the new doublet.
The little silver beads at the top of the buttons have been replaced with little black beads.
The buttonholes on the front of the doublet are done. I wish my hand would quit falling asleep while I’m sewing!